![]() Without it, there’s no music, and you’re not much of an engineer at all, actually. ![]() The most important skill you can have as a live sound engineer is a solid understanding of signal flow. It’s equal parts signal flow, miking technique, ear training, problem-solving, psychology and customer service. What I’m trying to say here, is just because you know your way around Pro Tools doesn’t mean you’re qualified to run a live show. They both have their ups and downs (*wink wink*), and while they may seem essentially the same, we all know there’s a world of difference. The other is about experiencing something in the moment and reacting to situations in real time. ![]() It’s designed to be as appealing as possible and there’s little concern for realism. ![]() The differences between studio engineering and live sound are like the differences between porn and sex. OK, this is gonna get kind of weird, so bear with me… ![]()
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